Raakilipattu

Raakilipattu

(translates as "rock music")

2007

5/5 stars

This film is the Malayalam-language version of Snegithiye, a Tamil movie which was shot simultaneously in both languages, and intended to be released at the same time in 2000.  For reasons I couldn't discover, the release of the Malayalam version, as well as a Hindi dubbed one, did not happen until 2007.

Radhika (Sharbani Mukherjee) and Josephine (played by Jyothika) are best friends at college where they are free-spirits, and even pranksters at times.  Radhika's aunt wants to see Radhika become more responsible, and feels that marriage would be the answer.  To avoid this, the friends invent a boyfriend for Radhika, called Ramesh Nair.  When Radhika begins to receive letters and phone calls from someone calling himself Ramesh Nair, both girls become terrified.  However, things get worse when someone by that name is found dead and Radhika and Josephine are the prime suspects for his murder.  An Assistant Commissioner of Police, Gayathri (played by Tabu), is an alumna of their college and the two go to her for help.  She seems to believe Josephine and Radhika, but someone is determined that the girls will not be alive to tell their side of the story. 

What starts out as a fun film about female friendship quickly turns into a tense, twisty, amazing thriller that kept me on the edge of my seat, and then reduced me to tears at the end.

The acting by Jyothika, Tabu, and Sharbani Mukherjee is fantastic -- so believable and natural -- and the supporting cast is solid. The dramatic film techniques and effective incidental music add to the suspense and general excellence of the movie.  Though the music is average, with the exception of the memorable item number, it fits perfectly and is used effectively.  

It's important to note that the main story is worked around substories about the dangers women face, and as such, is peopled almost entirely by women.  There are only a few times when a male voice is heard throughout the whole movie.  This gives an additional depth to the overall feel of the film.

The first time I watched it, I was so caught up in the plot that I missed much of the nuances that add an extra layer.  The second viewing, I was able to take it all in, and was thoroughly wowed.  This is truly a sadly underrated gem. 

Raavanan

Raavanan 

2010

5/5 stars

Dev Prakash  (Prithviraj Sukumaran), a ruthlessly determined police officer, is transferred to a province to capture Veera (played by Vikram), a local hero that has waged a bloody campaign against the area police.  Veera kidnaps Dev's wife, Ragini (Aishwarya Rai Bachchan), beginning a violent and bloody fourteen day chase that ends in a showdown between the two men.

(Karthik and Priyamani also feature.)

The acting is superb, natural, and believable, from the leads to the supporting artists.  Vikram is especially convincing as he treads the line between sane and unhinged, but Bachchan is equally impressive in her extremely emotional role. The camera work is stunning -- angles, colors, points-of-view -- and the entire film has a gritty, striking beauty.  The music (songs and incidental both) is often haunting and always highly effective.  As for the suspenseful story, it is chilling, well-plotted, nicely paced, and wholly engrossing.  Overall, it's simply a fantastic film, and while the violence and subject make it not universally suitable, I still highly recommend it.

(This film was shot in Hindi and Tamil simultaneously, with slightly differing casts.  My equally glowing review of the Hindi version can be found here.)

Kadaram Kondan

Kadaram Kondan

(translates as "Conqueror of Kadaram")

2019

4/5 stars

A medical intern, Vasu (Abi Hassan) has an unknown patient (KK, played by Vikram) in his ward; as the patient was involved in an accident, the police are interested in discovering who he is. Later, Vasu is knocked unconcious at home, and his heavily-pregnant young wife, Aatirah (Akshara Haasan) is kidnapped. Vasu is informed that she will be returned when the unnamed patient is smuggled out of the hospital.  Vasu attempts to do so, but instead finds himself on the run with KK, in a desperate race to save his wife.

Let's face it -- this movie is nothing more than an over-the-top vehicle to show off Vikram and his badassery.  That being said, it's a lot of fun.  Vikram plays his taciturn tough guy perfectly.  Akshara Haasan and Abi Hassan (in his debut) have nice chemistry and are convincing in their emotional roles.  Other than one song, the music is below average and not used effectively.  The action scenes look good, as did the cinematography in general.  The plot, though unbelievable, is still engaging and enjoyable.  Overall, if you aren't looking for a deep story, this action-packed film will certainly provide two hours of thorough entertainment.

Raavan

Raavan
2010
5/5 stars

Dev Pratap Sharna (played by Vikram), a ruthlessly determined police officer, is transferred to a province to capture the dangerous tribal leader/villain Beera (Abhishek Bachchan).  Beera kidnaps Dev's wife, Ragini (Aishwarya Rai Bachchan), beginning a violent and bloody fourteen day chase that ends in a showdown between the two men.

( Nikhil Dwivedi and Ravi Kishan also feature, with extended cameos by Priyamani and Govinda)

First off, let me say that a thriller of this sort is not my usual kind of movie.  I started it out of curiosity, merely wanting to see how well the married Bachchans acted together, only intending to watch a few minutes.  I finished it two hours and sixteen minutes later because they are great together (at times electric), because Abhishek is so convincing he scared the heck out of me, and because Vikram lives up to his glowing reputation.  Aishwarya is impressive in this extremely emotional role. Both the supporting cast and the cameo actors give solid, believable performances,  The camera work is stunning -- angles, colors, points-of-view -- and the entire film has a gritty, striking beauty.  The music (songs and incidental both) is often haunting and always highly effective.  As for the suspenseful story, it is chilling, well-plotted, nicely paced, and wholly engrossing.  As I said, not my typical film, but it was fully worth five stars.

(This film was shot in Hindi and Tamil simultaneously, with slightly differing casts.  My equally glowing review of the Tamil version can be found here.)

Ramayya Vasthavayya

Ramayya Vasthavayya
(translates as "Rama, you will come")

2013
4/5 stars

In this Telugu romantic/action/comedy thriller, Nandu (N. T. Rama Rao Jr.) falls in love with Akarsha (Samantha Ruth Prabhu) and slowly woos her by making friends with her substitute grandmother, Baby Shalini (Rohini Hattangadi). When Akarsha's sister is to be married, he is invited to attend. Once at the wedding, he learns that her father, Musallapadu Nagabhushanam (Mukesh Rishi), is being threatened and offers to help defend him. The plot then takes an unexpected turn, and follows Nandu on a path to revenge.

(Cast also includes Ajay, Tanikella Bharani, Pragathi, Rao Ramesh, P. Ravi Shankar, Hamsa Nandini in an item number, and an extended cameo by Shruti Haasan.)

The plot seems predictable during the first half, but then springs a great twist.  The second half is also mostly predictable, but still engrossing.  The songs are great, and the incidental and atmospheric music were effective.  Jr. NTR, charismatic and full of vitality as usual, gives a generally believable performance, and shows off his excellent dancing to advantage. Samantha Ruth Prabhu was stiff at times and displayed limited emotion.  Shruti Hassan, though, was natural and convincing.  The supporting cast was strong.  I have seen reviews that comment on the violence as being excessive, but I can only suppose those viewers are unfamiliar with Indian Cinema.  Overall, Ramayya Vasthavayya kept me interested for the entire 159 minutes and, while not perfect, was definitely entertaining.

Kick (2009)

Kick
2009
2/5 stars

The complicated plot is interesting and engaging, with some nice twists. Unfortunately, the principal actor  (Ravi Teji) is particularly unappealing. His lack of charisma combined with an unconvincing performance as the hero, topped off with the twenty year age gap between him and the leading lady (Ileana D'Cruz) being distastefully apparent, make the movie nearly unwatchable. I would recommend skipping this version, and watching the 2014 Bollywood remake instead.

Bhagam Bhag

Bhagam Bhag
(translates as "running around")
2006
2/5 stars


Champak Chaturvedi (Paresh Rawal) is the director of a theater group whose heroine (Tanushree Dutta) attracts a British businessman into hiring them for a London show.  His two male leads, Bunty (Akshay Kumar) and Babla (Govinda), are both vying for the attention of said heroine and annoy her enough that she quits, leaving Champak in a lurch.  While in London, Bunty and Babla search for a replacement, leading to a mix-up with a drug ring, trouble with the police, a murder, and involvement with an amnesiac, suicidal actress, Munni (Lara Dutta).

With three superb comedians in the lead, and an excellent supporting cast, this suspense-comedy had such promise, but did not deliver.  There was little-to-no chemistry between any of the main actors, particularly between Akshay Kumar and Govinda, so most of the humor simply fell flat, or the situations were so silly that they just were not funny.  The thriller element  was good, but simply was not strong enough to override the rest of the movie. The songs were average or below, with one being particularly off-putting.  Overall, Bhagham Bhag was such a disappointment.

Wanted

Wanted
2009
4/5 stars

Radhe (Salman Khan), a killer for hire, is recruited by an international don to dispose of the rival gang.  Radhe works up through the ranks as he successfully murders one foe after another.  He meets Jhanvi (Ayesha Takia) and falls in love with her.  She reciprocates his feelings, but tries to change him into a better man.

This masala is a good mix of romance, comedy, action, and drama.  The plot is engaging, and has a nice twist to it.  The music and choreography leave much to be desired, but the action looks great.  There is little chemistry between Khan and Takia, unfortunately, but each give an above average performance.  Overall, this is a typical Bollywood film, fun and exciting, though violent, which is thoroughly enjoyable.

Khan and Takia

Dil Se. . .

Dil Se. . . 
(translates as "from the heart")
1998
5/5 stars

Amar (Shah Rukh Khan) meets a young woman (Manisha Koirala as Meghna) on a train platform and is instantly smitten.  This infatuation turns to obsession, as he tries first to trace her, then to convince her to love him.  As his passion slowly consumes his reason, he becomes entangled in a terrorism plot designed to bring attention to the insurrection in Northeast India.

This thriller is riveting, intense, and, for the most part, realistic.  Khan and Koirala have good chemistry and are convincing in their roles.  With her infectious smile, Priety Zinta makes a debut that is most natural. The music is unique, and quite good, and some of the choreography most impressive.  Not typical of Bollywood, the film work is gritty and is appropriate for the feel of the film.  This gripping, emotional drama comes highly recommended.

Malaika Arora features in the item number "Chaiyya Chaiyya"

Raazi

Raazi
("agree")
2018
4/5 stars



In 1971, Hidayat Khan (Rajit Kapur) is a double agent, spying for India on Pakistan, while his Pakistani friends think he is working for them.  When he learns that he is going to die from cancer, he arranges a marriage between his daughter Sehmat (Alia Bhatt) and Iqbal Syed (Vicky Kaushal), an officer in the Pakistani Army and son of a Brigadier (Shishir Sharma) so that she can spy for India as well.  After brief training by RAW, the 20 year-old Sehmat marries and begins a dangerous game of spying on her new family.

This mostly-believable thriller is well-written with a plot that is both emotional and intense.  Bhatt is convincing as Sehmat, both vulnerable and determined.  Kaushal is also credible as Iqbal, giving a strong performance. The film treats the Pakistani side of the conflict with sympathy.  Overall, this is a thriller that is sure to please.

Available with Amazon Prime.

Kaushal and Bhatt

Fan

Fan
2016
5/5 stars

Gaurav (Shah Rukh Khan) bears an uncanny likeness to Bollywood superstar Aryan Khanna (also played by Khan), and as a result he becomes obsessed with Aryan.  When Gaurav goes to Delhi to meet Aryan and is refused, he looses his mental balance and becomes determined to ruin Aryan.

The strength of this thriller is not the plot, though it is suspenseful and well-written, but the make-up.  Khan as Gaurav is made to look just enough like the real Khan while not looking like him.  Tough to explain, but it works perfectly.  Khan gives a great performance, as well, playing both parts superbly.  While this isn't a perfect film, the amazing cosmetic artistry pushes the movie into five stars.


This movie is available with Amazon Prime.

Kaho Naa. . . Pyaar Hai

Kaho Na Pyaar Hai
(translates as "say you're in love")
2000
4/5 stars

In this romantic thriller, working class Rohit (Hrithik Roshan) and wealthy Sonia (Ameesha Patel) fall in love.  When Rohit is killed, everyone supposes it to be an accident.  Sonia goes to New Zealand where she meets Raj (also played by Roshan) who bears an uncanny resemblance to Rohit.  Returning to India, they discover that Rohit was murdered, and they try to uncover the killers.

The first half of the film is a cute romance with typical resistance from Sonia's father (Anupam Kher) and the couple's determination to find a way.  The second half of the film is a rather exciting drama while the two try to stay alive and unmask the bad guys.  Roshan and Patel both made their film debuts in this movie, and both showed a surprising maturity and poise in their acting.  Neither the music nor the choreography were special--just average Bollywood fare.  Despite that, this is a well-acted, quite enjoyable film.

An Evening in Paris

An Evening in Paris
1967
3/5 stars

Rich and pretty Deepa (Sharmila Tagore) comes to Paris to get away from failed relationships in India.  She meets Sam (Shammi Kapoor), who falls in love with her and tries to win her affection.  In the meantime, wicked gambler Shankar and his evil friends are scheming a way to get Deepa's money.  What follows is kidnapping, impersonation, and dangerous adventures.

Filmed in four locations outside India, An Evening in Paris is lovely to watch.  As for the plot-- the better part of the first hour of the is spent with Deepa in various locations, pretending to ignore Sam who is behind her, singing.  All the excitement comes in the last 30 minutes or so, and the climax occurs too quickly.  Kapoor is energetic and exuberant in every movement, which is entertaining.  Tagore, who shocked the public by wearing a bikini, does a nice job of playing a double role.  The music, and there is a lot of it, is catchy with a definite 60's feel to it.  Tagore's costumes were exceptionally lovely.  Overall, though the acting is great, the movie is somewhat dull up until the "thriller" aspect begins, and there just isn't enough suspense to make it better than okay.