Late Summer Viewing

First Time Viewing:
Jhoom Barabar Jhoom (2007)  3/5 stars
Parts of it were unappealing,  but it has two excellent songs and great performances by Priety Zinta and Abhishek Bachchan.  

Janatha Garage  (2016)  4/5 stars

Mainly a predictable vehicle for Jr. NTR, but enjoyable nonetheless, and with a strong performance by Nithya Menen.

Delhi 6  (2009)  3/5 stars
Started off really good, but by the end I was rather puzzled.  Abhishek Bachchan gave a good performance, but Sonam Kapoor was unimpressive.

Dhoom 2  (2006)  3/5 stars
Action packed and fun, except for Aishwarya Rai's performance --she was so unsuited to the character that it was painful to watch.

Rewatched:
Raavan (2010)  5/5 stars (my review here)
My husband watched it with me this time, and he felt pretty much the same as I did.

Kabhi Alvida Naa Kehna (2006)  5/5 stars (my review here)
This was my third viewing and, if anything, I cried even harder.

While You Were Sleeping  (1995)  5/5 stars
I first watched this in the theater, and I can't tell you how many times after that.  This was the first time in a decade or so, though, and it stands the test of time.  It's a fantastic movie.

Funny Face  (1957)  3/5 stars
I loved this as a teen, but wasn't as impressed this time around.  The plot was thin, Astaire and Hepburn seemed mismatched, and her singing was weak.  Costumes were fantastic, though, and Kay Thompson gave a stellar performance.

Veer Zaara  (2004)  5/5 stars  (my review here)
I cried so hard this second viewing that I gave myself not only a headache, but a stomach ache as well.

Kiss Me Kate

Kiss Me Kate
1953
4/5 stars


Divorced theater actors Fred (Howard Keel) and Lilli (Kathryn Grayson) team up again to play a musical version of Shakespeare's the Taming of the Shrew, igniting a full range of emotions between the two. The situation is not helped by Fred's flirtation with another actress, Lois (Ann Miller), and finally Lilli quits in mid play. In the meantime, Lois's boyfriend Bill (Tommy Rall) runs up a debt with gangsters, but signs Fred's name. Things grow more complicated when the gangsters (played by James Whitmore and Keenan Wynn) arrive to collect the money, and refuse to let Lilli leave. All the while, the play within a play is on-going as well, adding a further dimension to plot.

It may sound complicated, but the beauty of Dorothy Kingsley's screenplay (which was nominated for a Writers Guild of America Award) is how well it flows, weaving all the subplots in and out, and finally tying them together.  Keel and Grayson are excellently matched, with both having superb singing voices.  Miller, as always, steals the spotlight with her vivacity and dancing skill--helped, of course, by Hermes Pan's excellent choreography.  Costumes and sets are cheerful and colorful and look great all around.  The star of the show, however, is Cole Porter: his clever lyrics and lovely music are the groundwork that the builds this fine film.

Ann Miller

What I dislike about this movie is that it highlights the Taming of the Shrew (a horrible play) in a positive, even idolizing, light.  The modern part of the plot follows the Taming some, showing male dominance and female subservience as the expected outcome between a man and a woman.  I realize the movie is only showing the societal norm for the 1950s, and as such can enjoy the rest of the film without being affected.

The bottom line is that Kiss Me Kate is a fun, lively movie, with a few flaws, but still good enough for a universal recommendation.

Grayson, Keel

Twelfth Night (Live From Lincoln Center)

Twelfth Night 
(Live From Lincoln Center)
1998
5/5 stars


This is a tale of twins, Viola (Helen Hunt) and Sebastian (Rick Stear), who are separated by a shipwreck. Viola disguises herself as a man (Cesario) and becomes an attendant to Duke Orsino (Paul Rudd), with whom she falls in love. He loves Olivia (Kyra Sedgwick), who in turn falls in love with Cesario. The plot is further complicated when Malvolio (Philip Bosco), Olivia's steward, is tricked into believing that she is in love with him.

This production is superb, played naturally and with joy and verve, emphasizing the humor of the play.  Hunt and Rudd have good chemistry, adding spice to their relationship.  Bosco is wonderful as Malvolio, playing comedy and drama with equal skill.  David Patrick Kelly made an entertaining fool (Feste).  The best performances were from Brian Murray (as Sir Toby Belch) and Max Wright (as Sir Andrew Aguecheek); their comic timing, expressions, and gestures were perfection.

My only complaint is with the play itself: so many subplots have to be tied up in the last act that it feels unwieldy at times.  This was handled well by the director (Nicholas Hytner), so that it wrapped up smoothly.

This can be viewed on Internet Archive:
https://archive.org/details/TwelfthNightLiveFromLincolnCenter1998

Hunt and Rudd