Radhe Shyam

Radhe Shyam

(the title refers to Krishna and his consort Radha) 

2022

2/5 stars

Aditya (played by Prabhas) is a palmist with incredible powers of prediction; he knows the date of his own death, as well as the fact that he is destined to never know love. He meets Prerana (Pooja Hegde) in Rome and tells her honestly that he wants to spend his time there with her, but in a "flirtation-ship" not a relationship.  After at first rejecting the proposal, she falls for his charm and they begin to date, becoming more and more emotionally involved. Aditya realizes that they met in spite of fate, and that to be together the two must defeat their destinies and forge new ones. 

(Sachin Khedekar, Jayaram, and Bhagyashree also feature.)

The visual quality of this romantic drama is outstanding, with a dreamy feel, gorgeous locations, and effective atmosphere. The music is average and below.  The plot seems so promising, but it unfortunately has little life or credibility. The lackluster story combined with Hegde's colorless performance and the zero chemistry between the two leads creates a bland two hours.   I hesitate to call it a dud because the beautiful cinematography almost makes it worth watching, but overall it's dull enough that even the swoon-worthy scenes with Prabhas couldn't make this movie more than below average.

Prabhas

Raavanan

Raavanan 

2010

5/5 stars

Dev Prakash  (Prithviraj Sukumaran), a ruthlessly determined police officer, is transferred to a province to capture Veera (played by Vikram), a local hero that has waged a bloody campaign against the area police.  Veera kidnaps Dev's wife, Ragini (Aishwarya Rai Bachchan), beginning a violent and bloody fourteen day chase that ends in a showdown between the two men.

(Karthik and Priyamani also feature.)

The acting is superb, natural, and believable, from the leads to the supporting artists.  Vikram is especially convincing as he treads the line between sane and unhinged, but Bachchan is equally impressive in her extremely emotional role. The camera work is stunning -- angles, colors, points-of-view -- and the entire film has a gritty, striking beauty.  The music (songs and incidental both) is often haunting and always highly effective.  As for the suspenseful story, it is chilling, well-plotted, nicely paced, and wholly engrossing.  Overall, it's simply a fantastic film, and while the violence and subject make it not universally suitable, I still highly recommend it.

(This film was shot in Hindi and Tamil simultaneously, with slightly differing casts.  My equally glowing review of the Hindi version can be found here.)

Oosaravelli

Oosaravelli
(translation: Chameleon)
2011
3/5 stars

Tony (N. T. Rama Rao Jr.) is a small-time crook who falls in love with Niharika (played by Tamannaah).  She's already engaged, but he is not discouraged, and is certain that if he keeps his way of life a secret, he can win her in the end. In the meantime, Tony becomes involved with a group of low-level gangsters, using his talents to help them rise in the world of crime, thus bringing himself to the negative attention of Ajju Bhai (Prakash Raj), a most dangerous professional villian.

(Vidyut Jammwal and Payal Ghosh also feature.)

The plot of this Telugu language film has some nice twists, but is a bit too convoluted to flow smoothly.  Some of the over-the-top action looked silly instead of impressive, and the songs were just average.  Jr. NTR was, as is typical, natural, energetic, and charismatic. It was fun to see Prakash Raj (one of my favorite Indian actors) as the bad guy; he gave a strong performance, as usual.   Tamannaah, on the other hand, was stiff and not believable at times, and while the supporting cast were good, they were not spectacular.  Oosaravelli  is undeniably entertaining while watching, but is a forgettable movie in the end.

Goliyon Ki Raasleela: Ram-Leela

Goliyon Ki Raasleela: Ram-Leela

"A Dance of Bullets: Ram and Leela"

2013

1/5 stars

This Bollywood take on the Romeo and Juliet theme (with a West Side Story vibe) was visually gorgeous -- I mean stunning!  However, it was entirely too vulgar for my taste and, as such, not what I am accustomed to with Indian Cinema.  In addition, it was hard to like the characters, despite the excellent acting, so in the end, I didn't force myself to finish it.

Shaadi Mubarak

Shaadi Mubarak

("Congratulations on the Wedding")

2001

4/5 stars

When Satya's (Drishya Raghunath) mother is injured, Satya agrees to help her with one of her wedding bureau clients, Madhev (played by Sagar).  Madhev is scheduled to see three prospective brides in one day, and Satya accompanies him.  While spending this time together, they fall in love, each without the other knowing, but there seems no possibility of them ending up together.

Though predictable, this low-budget film is sweet and fun, and even caused me to tear up.  The plot starts extremely strong, but does weaken a bit in the second half.  Music is not as large a part in this movie as is typical with Indian Cinema, and the songs are not particularly memorable. The supporting cast is solid, and Drishya Raghunath, who gives a believable performance, has good chemistry with Sagar.  Sagar, though, steals the show with his thoroughly natural and completely charming acting.  Shaadi Mubarak may not be an exceptional experience, but I found it engrossing and enjoyable, and certainly worth four stars.

Mere Yaar Ki Shaadi Hai

Mere Yaar Ki Shaadi Hai

(translates as "it's my friend's wedding")

2002

3/5 stars

Sanjay (Uday Chopra) and Anjali (Tulip Joshi, credited as Sanjana) have been best friends for twenty years.  When Anjali returns from a trip to America and announces that she is engaged to an American doctor (Rohit, played by Jimmy Sheirgill), Sanjay is stunned.  After his friend and flatmate, Ria (Bipasha Basu), awakens him to the fact that he is in love with Anjali, he determines to stop the wedding.

The movie has a predictable and light plot, with nice cinematography and average music.  Chopra and Sheirgill, while not fully lead material, are above average in this film, and have good chemistry together.  Sadly, neither had any with Joshi.  She is the weakest link in the movie, giving an unconvincing and unnatural performance, unlike Basu's generally strong one.  Overall, it's forgettable and I wouldn't particularly recommend it, especially to those new to the Indian Cinema experience.

Bhaskar Oru Rascal

 

Bhaskar Oru Rascal

"Bhaskar is a Rascal"

2018

4/5 stars

In this Tamil language film, Aakash (Master Raghavan)  lives with his father and grandfather.  His father, Bhaskar (Arvind Swamy), is a tough and unpolished man with questionable business practices, and Aakash is ashamed of him.  Aakash's best friend, Shivani (Baby Nainika), lives with her widowed mother, Anu (Amala Paul), and desperately wishes for a father figure.  To give Aakash a gentle mother and herself a protective father, Shivani is determined to bring the two together, despite Anu's distaste for Bhaskhar's rough ways.  When danger from Anu's past threatens, however, the two adults find themselves drawing closer.

The engaging plot has a nice twist, isn't always predictable, and is sometimes moving.  While the music is average, the action scenes look good, and the cinematography is lovely.  Swamy has a sort of bashful charm and a surprising amount of charisma, and is convincing throughout. Paul is credible, though not outstanding, and the supporting cast is generally solid.  The child actors, however, are fantastic -- believable and natural and super cute.  Overall Bhaskar Oru Rascal is an entertaining, if typical, example of Indian Cinema.  

Arvind Swamy, Baby Nainika, Amala Paul, Master Raghavan